Over the last 5 years there has been a staggering resurgence in the interest in Jazz amongst contemporary musicians. This is best and most infamously exemplified by the work of the Brainfeeder label and Flying Lotus. But others have gotten in on this act too including: Four Tet and Neneh Cherry and of course Kendrick Lamar. Jazz musicians for their part have always embraced experimentalism and have been open to many of these collaborations, it was through just such a collaboration that I discovered the Belgian Jazz vocalist Melanie De Biasio. Last year Giles Peterson oversaw a beautiful remix project of the jazz vocalist’s work. And from first listening to Blackened Cities it is very clear the success of this project and jazz’s new found prominence has rubbed off on Melanie.
However, Blackened Cities is not De Biasio doing techno, far from it but what influence is apparent is found within the space which is granted to instrumentation. On previous efforts De Biasio’s voice is centre stage however on Blackened Cities it is almost pushed to the side. Instead of being in the forefront it is her voice intertwines more closely with the sounds happening around her. It’s a change in approach, which really alters this track and makes it sound out from previous work.
Traditional Jazz piano and instrumentation remains but contemporary electronics and effects are introduced to the extent that the start of this track sounds like something produced by Godspeed! You Black Emperor, which is certainly no bad thing.
The overall sound here is one of darkness and sparseness but beautifully so. The track feels like one which is built for daydreaming whilst starring out over a grey rolling sea on an early winter’s day. This sparseness is also perfectly balanced by the drums, which provide a late 90s trip hop feeling to Blackened Cities.
The jazz vocal stylings of De Biasio’s previous albums generated sufficient success and critical acclaim for her, not only generating five star ratings but breaking the top ten album chart in her home country. So there is a real sense of risk and experimentation to what is being done with Blackened Cities, a one track album at 24mins in length, however, what is being done here is done so beautifully and so successfully that De Biasio will generate even further (deserved) acclaim.
Some of De Biasio’s fans may be put off by this track however they are likely to be replaced be legions of news fans of enjoy her growing experimentation on show in Blackened Cities. Fans of Radiohead, 90s trip hop and the previously mentioned Godspeed! You Black Emperor really will find something to fall in love with here. This one’s for the daydreamers.