September 23rd- Akala- 10 Years of Akala

Kingslee James Daley better known as Akala has been a figurehead for the UK grime since its early days, he is as far as UK Hip Hop is concerned royalty mentioned in the same breath as Wiley and Roots Manuva. This compilation, the first I have recommended this year, is a collection of not only his biggest hits but also his beat freestyles and album tracks. It is an essential collection and if there were any justice in the world a copy would be given to every household in the UK.  The above statement might sound audacious but such is the importance of Akala’s lyricism and social insight it is one that is justified.

For the last decade or so and especially since the UK riots of 2011 Politicians, social theorists and journalists have attempted to understand millennials (those currently under 35 years old) and their outlook upon the world, most of the results have, like David Cameron’s Hug a Hoodie, been exceptionally patronising. If those behind such theorising had listened to tracks like Carried Away, which discusses war in the middle-east and war on the streets along, they may have developed a more well-rounded view.

The beauty of Akala is that unlike many other UK rappers he is able to discuss social issues and bigger problems often through a uniquely poetic approach as is exhibited on the tracks Comedy, Tragedy, History and Shakespeare. A passion for Shakespeare’s sonnets no doubt helps his flow and Akala has been able to use his knowledge of literary devices such as iambic pentameter to his full advantage. Having all of these skills at his disposal results in Akala having, alongside Kano, one of the strongest and clearest flows in the UK Scene.

Whilst Akala avoids the road rap style of Giggs and often completely swerves gangster based imagery it is worth noting that such avoidance doesn’t mean that he can’t go toe to toe with almost anyone out there when it comes to battle rap. This is evidenced on this best of collection by the brilliant inclusion of two of Akala’s Fire in the Booth sessions (for those who are unaware Fire in the Booth is a live Freestyle session performed by MCs for Radio 1) in which Akala shows an ability to diss smartly, vent social issues and displays a greater lyrical dexterity than almost anyone out there.

Too often Best of Albums are clogged with a list of singles and rubbish new tracks but Akala’s feels totally essential. Much like Akala’s career so far there is little filler and nearly everything is essential. I would challenge anyone who disagrees with me to listen to the lyrics of Welcome to Dystopia and maintain that view.

One of the greatest embarrassments in the UK’s music scene is that Akala has not sold more records and is not appreciated nationwide in the same way the USA appreciates Nas. Hopefully this fully deserved and hard worked for best of will go some way to righting this wrong; because at these times of migrant crises, the rise of the extreme right across Europe, increased social alienation between the young and elderly, brexit and more beside we need a voice like Akala’s.





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